Act Two Podcast

TWIW: Party Recap, When a Short Story Has No Hook, and How to Make Your General Work for You

This Week in Writing includes a recap of our Screenwriter Meet Up, heart vs marketability, when to throw the kitchen sink at your script’s hook, how to work a general to your advantage, do you need to drop your rep if they don’t “get you,” the learned skill of trimming minutes, shredding the “a screenplay is a bland blueprint” opinion, and a reminder of why the first ten pages of your screenplay need to be engaging (even if it’s a slow burn!).

 

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

Finding Clarity of Concept in Your Pilot

How do you get the heart of your show across in a clear and concise way without overloading the script with too many elements or underwhelming with too few? Tasha and Josh discuss how to bring clarity of concept into your writing using lessons from their recent pilots.

TWIW: Lessons from a Mike Flanagan Kickstarter. Why distinctive characters are essential for pitching a network TV show. Thoughts on The Killer’s use of voiceover. Why you should watch Blue Eye Samurai. And what was season 2 of Loki about? We’re still confused. Thank goodness for Tom Hiddleston!

LINK
Mike Flanagan’s Absentia Kickstarter

Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist

SPECIAL ANNOUNCEMENT: LA Event & Patreon Launch

The day has finally arrived! On Nov 30th we officially launch the Act Two Podcast Patreon. To celebrate, we’re hosting a Screenwriter Meet & Greet that night in Los Angeles. If you’re in the area, come say “Hello!” We’d love to see you there!

Link for Event Info

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

Breaking Down Pixar’s BRAVE with Producer & Manager, Michele Wolkoff

Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.

 

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

TWIW: Why Relationships Matter, When to Restructure, How to Think Outside the Box

This Week in Writing includes why relationships are key to the Hollywood long game, signs you may need to restructure your spec, and why the simple act of reading a comic can be so creatively refreshing. Plus, Josh breaks through with a new idea to avoid extensive, unpaid rewrites!

 

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

Ways to Tackle a 2nd Draft

Writing a first draft is tough. But writing a second draft can be tougher. Tasha and Josh discuss best practices for tackling the deceptively difficult second draft, be it going scene-by-scene, starting anew, or ignoring a note to find the real note lurking underneath.

 

TWIW: Why staying active with programs and competitions keeps you going. Should an agent ask for your resume? Style lessons from the Barbarian screenplay. And a friendly reminder that public domain is a proven place to mine IP. Plus, Josh and Tasha both finished drafts of their specs!

 

Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist

Building Dread: Top 5 Horror Films w/ Special Guest Dave Levinson

What makes a horror film truly terrifying? Tasha and Josh, along with special guest and horror aficionado Dave Levinson, break down their favorite horror films and what makes them so frightening that even decades later just the thought of the film sends a shiver up our spine.

 

TWIW: Josh is shocked by the discrepancies between a pilot script and a finished pilot episode. Tasha gets to the root of the simplistic genius behind Netflix’s Fall of the House of Usher. 

 

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

How to Get Repped

Getting repped may seem impossible, but there are actually many different paths to representation. Tasha and Josh break down what worked for them and what they’ve seen work for others. (Spoiler: the best way is to write a good script!)

 

TWIW: Josh finished a pilot with his wife and celebrated with a bottle of rosé and Taylor Swift. Tasha celebrates an Act Two mentee getting repped! Plus, how long does it take to write a feature screenplay?

 

How Professional Screenwriters Outline: https://www.youtube.com/watch?v=jAY5Y9XWu4I

 

The Rep Thread: https://x.com/tclairsmith/status/1711126582549447165?s=46

 

Questions / Comments: ActTwoWriters@gmail.com

Edited by the GREAT Paul Lundquist

Where to Find Inspiration

There’s no wrong way to be inspired, but finding inspiration can oftentimes prove elusive. Hosts Tasha Huo and Josh Hallman discuss various techniques they use when they need a burst of creative inspiration, be it in nature, nostalgia, or an engaging museum plaque.

TWIW: Josh and Tasha fear AI becoming a creative crutch, but admit that it can be a helpful tool when creating perfect imagery for look books (but shh! don’t tell anybody!!).

Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist

The Importance of Self-Care

Take a break! Eat dinner with your family! Hangout with that friend! We promise you’ll still get your writing done. In this episode, hosts Tasha Huo and Josh Hallman discuss the importance of self-care in a post-strike world, and the various strategies they use to relieve the ever-present pressure of work work work. Step one: acknowledging that you need self-care in the first place!

TWIW: Josh experiences notes in real time. Tasha feels pressure to make her next spec definitive while also finishing her short story five years in the making.

Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist